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CANON HDTV LENSES DELIVER CHAMPIONSHIP PERFORMANCE
FOR NEP BROADCASTING'S COVERAGE OF SUPER BOWL
February 10, 2010
Source: Canon
The exciting TV coverage
of Super Bowl XLIV seen by millions of football fans on February
7 began with images gathered in crystal HDTV clarity by lenses
provided by Canon

Mobile production company NEP Broadcasting employed 38 Canon
long-zoom HDTV field lenses and portable HDTV zoom lenses
to provide viewers with thrilling football action captured
in panoramic wide shots, dramatic close-ups, and everything
in between.
"Image quality is of paramount importance
when shooting an event such as the Super Bowl," stated
George Hoover, chief technology officer of NEP Broadcasting.
"We've been using Canon HDTV lenses during this entire
football season, leading right up to the Super Bowl. When
the sun goes down during the game, you need good sensitivity,
good light-handling capability, and low ramping so that when
you're at the end of that 100x or 86x lens's zoom range that
light level isn't falling off. These Canon HDTV lenses provided
that."
Hoover reported that the longest reach at
the game came courtesy of six Canon XJ100x9.3B IE-D and 18
XJ86x9.3B IE-D long-zoom HDTV field lenses, all of which feature
Shift-IS, Canon's unique second-generation built-in Optical
Shift Image Stabilizer Technology to ensure steady shots whatever
the zoom range might be. "When you're zoomed in really
tight with the long-zoom lenses and you're moving down the
sideline in the cart, the capabilities of Canon's Image Stabilization
is of great importance," Hoover noted.
NEP Broadcasting's roving hand-held HDTV
cameras, meanwhile, were outfitted with a combination of 16
Canon HJ21ex7.5B IRSE and HJ22ex7.6B IRSE long focal-length
HDTV zoom lenses, as well as two HJ11ex4.7B IRSE wide-angle
portable HDTV zoom lenses.
The mobile production crew also mounted three Canon HJ40x10B
IASD-V highly telephoto portable HDTV zoom lenses on robotic
cameras atop goal posts for unique POV (point-of-view) shots.
The deployment of this wide variety of Canon HDTV lenses on
NEP Broadcasting's HDTV cameras (nearly all of which were
also used the previous Sunday on the Pro Bowl game from South
Florida) provided the company with the creative flexibility
it needed for the demanding requirements of providing a major
broadcast network with long-focal-length, high-end broadcast
video acquisition of often fast-moving Super Bowl action.
"Canon is honored to be the HDTV lens
brand of choice by major production companies for Super Bowl
coverage, year after year," stated Larry Thorpe, national
marketing executive of the Broadcast and Communications division
of Canon U.S.A., Inc.
"Canon has been at the forefront of advancing optical
technology for HDTV content creation for decades. This enables
Canon to provide broadcasters and other creative program producers
with a wide range of highly sophisticated operational advantages
in its HDTV lenses. Depending on the type and model of Canon
HDTV lens, these advantages can include such features as Auto
Focus, Shift-IS Optical Shift-Image Stabilizer Technology,
and Canon's exclusive Digital Servo System for microcomputer
compensation of lens-focus breathing (the inadvertent alteration
of field of view when operating the focus control) or Canon's
unique eDrive for precise and repeatable programming of iris,
focus, and zoom settings on portable HDTV lenses."
"The reliability of Canon HDTV lenses
over time - regardless of weather and environmental conditions
- is very great," Hoover added. "When you're shooting
professional football you can be in Green Bay with snow and
rain one day, and then in New Orleans with heat and humidity
the next. With Canon, you know that your HDTV lenses will
not only hold up today, but tomorrow as well."
"Also, when you're doing remote TV,
it is a fact of life that a lens can get damaged," Hoover
continued. "Fortunately, we had on-site support from
Canon backing us up to deal with such things. Canon went through
every camera position with every camera operator so that each
operator was satisfied with the functioning of their lens."
The 38 Canon HDTV lenses NEP Broadcasting
used for its coverage of Super Bowl XLIV enabled home audiences
to feel like they were part of the action as never before
- especially those watching at home in high-definition. "Just
like with everybody else involved with the Super Bowl, we
want to put on our best game," concluded Hoover. "The
image quality, performance, and reliability of our Canon lenses
enable us to do that."
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